Designs 5024 Review - Universal Audio 6176 Tube Preamplifier & 1176N Limiter Universal Audio LA-610 Channel Strip Demonstration On Vocals Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor Comparing Universal Audio Plug-Ins To Their Hardware Counterparts Universal Audio LA-610 Channel Strip Demonstration The History of Universal Audio and the UA 610 Mic Preamp with CEO Bill Putnam Jr.
#How to use neve 1073 preamp pro#
Now approaching its 50th anniversary, the Neve 1073 continues to be the most iconic British recording channel of them all.Tracking with an Original UA 610 Console 25 mic pre shootout/review! Male vocals (BAE, NEVE, API, UA, Great River, Chandler, Shadow hills) UA 6176 ( 610B & 1176LN) and LA-610 MK2 vs UA plugins and unison Neve 1073 ｜ Most OVERRATED preamp ever!!? WARM AUDIO WA73 OR NEVE 1073LB Which Is Sonically Better | 15 Audio Examples The most On Youtube Neve 1073 vs stock preamps (Apogee Duet and Midas Venice F16 console) Recording Guitar & Bass with the BAE 1073 - Warren Huart: Produce Like A Pro 1073 Preamp Comparison (AMS Neve, BAE, Audio Maintenance) at Stage2 Studios Neve 1073DPA 2-channel Microphone Preamp Neve 1073 LB VS Neve 88R LB Demo & Review Universal Audio LA-610 Review by Alex Scott Review - Neve 1073 DPX Twin Channel Pre Amp And EQ Ultimate 500 Series Lunchbox for Recording Vocals Preamp Shootout - AMS NEVE1073 vs API 3124+ vs R. That legendary sound has graced thousands of recordings from the 1970s and beyond. Increasing the input gain and easing back on the output adds a colourful saturation that adds to the vintage vibe. With modest input gain and the output set high, the classic larger-than-life Neve sound is heard in all its glory.
#How to use neve 1073 preamp software#
Whichever 1073 variant you use – and there certainly now seem to be many different routes to take, in both hardware and software – adjusting the level between the input gain and output control will alter its character. The UAD version has, to my ears, a more expansive sound, with a glossier high end in comparison with the Waves one, which is thicker sounding with a less open character. Plug-in users can buy a 1073 channel strip from Universal Audio – the experts in the field of plug-in emulation – which is an extremely convincing emulation of the original Neve sound, while Waves offers a strip mimicking an Andrew Scheps-modded version of the 1073. Though the Carnhill transformers used in the GAP and Warm units are excellent, offering a huge slice of vintage Neve-like sound, they can’t match the Marinair transformers only found in genuine Neve-branded products. Warm Audio’s WA273-EQ, which I enthusiastically reviewed a while back, is a more faithful copy of the Neve design, right down to the uniquely configured Mic/Line input gain switch.Īs good as these replicas are, the currently available Neve 1073 units still have a certain something the copies don’t quite have. We’ve had an incredible number of vintage 1073s and 1073-style preamps come through our studio throughout the years, and are happy to help you find the one. The Golden Age Project PREQ-73 is a great-sounding 1073-style unit with HF and LF shelving EQ, which doesn’t attempt to mimic the look of Neve products. As always, if you have a particular application in mind and want to sound us out, give us a call at (919) 682-5552. Invada Studios, where I conduct most of my sessions and reviews, has a rack of Hairball Audio Lola units, which have an extremely similar character to the 1073. Over the years, I’ve used many 1073 units, both genuine Neve products and more affordable copies. I’ve never had the pleasure of working on a genuine 1970s Neve console armed with the 1073 module, although I once recorded a session on a later Neve desk from the 1980s however, while it sounded clean, open and transparent, it lacked the smooth, rounded tone only the 1073 brings to the party. The EQ section is exceptionally sweet and musical which, coupled with the preamp’s naturally phat and hefty character, flatters most of the audio that is processed through it. The three-band equaliser comprises a high frequency shelf fixed at 12kHz, along with a peaking EQ operating at six points between 360Hz and 7.2kHz, and a low shelf with four options between 35Hz and 220Hz. Discovering that the Neve’s larger-than-life sound was musically flattering to the 8-track rock recordings of the day, engineers enthused about the ‘British Sound’.Ī pure Class-A design, the preamp features transformer-balanced inputs and outputs, reflecting Neve’s background in broadcasting, where balanced operation was standard. Word quickly spread about the full-bodied, expansive sound of the console and soon, Neve was building consoles for studios around the world. The Neve A88 console at Wessex boasted 28 input channels incorporating the 1073 microphone/line amplifier/EQ module. The 1073 story begins in 1970, when Rupert Neve was asked to design a new transistorised console for Wessex Studios.
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